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relation between Michael Angelo and Tintoret seventh of the course of lectures on sculpture delivered at Oxford, 1870-71 by John Ruskin

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Published by Printed by Smith, Elder in London .
Written in English

Subjects:

  • Michelangelo Buonarroti, 1475-1564,
  • Tintoretto, 1518-1594

Book details:

Edition Notes

Statementby John Ruskin
The Physical Object
Pagination45 p. ;
Number of Pages45
ID Numbers
Open LibraryOL14037569M
OCLC/WorldCa1546931

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Internet Archive BookReader The relation between Michael Angelo and Tintoret: seventh of the course of lectures on sculpture delivered at Oxford, The Relation Between Michael Angelo and Tintoret: Seventh of the Course of Lectures on Sculpture Delivered at Oxford, , ISBN , ISBN , Like New Used, Free shipping in the US Seller Rating: % positive. The Relation Between Michael Angelo and Tintoret: Seventh of the Course of Item PreviewPages: Get this from a library! The relation between Michael Angelo and Tintoret: seventh of the course of lectures on sculpture delivered at Oxford, [John Ruskin].

The relation between Michael Angelo and Tintoret: seventh of the course of lectures on sculpture delivered at Oxford, / (London: Printed by Smith, Elder, ), by John Ruskin (page images at . COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus. D. L. ETTLINGER Giovanni Bellini Giles Robertson (ouP/The Clarendon Press 84s) When Ruskin, in his often quoted and highly contentious lecture 'The Relation between Michael Angelo and Tintoret,' ferociously assailed 'the dark carnality' of the former while applauding the 'simplicity of a wild animal' in the latter, he could nevertheless not help de- ploring 'the changes brought about by Michael An. Relation between Michael Angelo and Tintoret, recently de livered at Oxford The view of Michelangelo expressed in the lecture was irremediably negative, and attributed to his «ostentatious display of strength and science»14 prime responsibility for what Ruskin thought of as the decay of art at the Renaissance. His estimate of the artist.

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